Beat Kuert’s video and photographic works – definitions he considers inadequate and misleading – are clearly a sort of “digital alchemy”. He could be a shaman of art, who is well aware that over the centuries a Renaissance altar has led a historical discourse with many devotees, often protecting and comforting them and – according to some – even producing miraculous events.
"Freezeframe green" 2005"Adesso" 2003"Frames of a Day" 2010"Solome" 2008 (67cm x 47cm)"Natura Morta" 2007"Muddy Water" 2007 (240cm x 62cm)"Under the bridge" 2003"Dust" 2006"Fiume" 2006"Mostra" 2005"Dicembre" 2008 (82cm x 56cm)"Amore Fame Solome e Te" 2007 (134cm x 94cm)
Perhaps this is why the works of Beat Kuert – although they have been created with tools from the worlds of cinema, photography and computers – always retain a pronounced and unmistakable pictorial connotation. They persistently reveal the unconditional will to be “works made by art.” (From the catalogue essay by Enzo di Martino)
Performance "Donna Carnivora II, Galleria Ravagnan, Venice 2008Performance "Donna Carnivora I, Piazza San Marco, Venice 2008Performance "Donna Carnivora I, Piazza San Marco, Venice 2008Performance "Donna Carnivora I, Piazza San Marco, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008Performance "Donna Carnivora I, Piazza San Marco, Venice 2008Performance "Donna Carnivora I, Piazza San Marco, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008Performance "Donna Carnivora I, San Stae, Venice 2008
Performances I+II by "dust&scratches" during the exhibitions "Donna Carnivora" in Venice
